He remembers Janelle Monáe singing Hell You Talmbout at the Women’s March on Washington in 2017 before performing his own powerful version. He tells the story of Kurt Schwitters’ Ursonate, and of Hugo Ball’s poem Gadji beri bimba which became I Zimbra. He carefully illustrates the importance of voting, asking people to register at the table in the foyer. Spike Lee filmed five shows at the Hudson Theatre in New York in order to create David Byrne’s American Utopia. A set has been created: three walls of shimmering metal curtain. Thin cables raise mounds of chains gathered on the floor. ![]() Here is a region of abundant detail, here is a region that is seldom used. The music delicately builds as he lifts the brain and sings: An oblong light illuminates Byrne on a basic wooden chair, his hands flat on a wooden table framing a human brain. ![]() The energy was different - smoother and more focused than the frenetic twitch of the 70s - but the commitment was clear. The Byrne on stage in Broadbeach was 40 years older but no less energetic or committed. I was too shy to speak.īack in the bar with the rest of the band, bottles of red wine and my silly, punky buddies I was probably loquacious as hell. I followed Byrne into the lift, where we suffered in pained silence until his floor. ![]() A gaggle of us walked the two blocks back to their hotel with the band. The Festival Hall show in the winter of 1979 had been sharp and groovy.
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